I received an email from an editor recently, a long-time Avid user, which started more or less like this: “I’m using MC5 on a TV series. But I really don’t like it. And the other editors on the show all have the same impression.” He went on to explain how much he dislikes the FCP model and prefers Avid’s trim tools, especially asymmetrical trim. But MC5 removes much of the fluidity that he loved in older versions of Media Composer.
My reaction is that while MC5 felt different, Version 5.5 brings back much of the feel of Version 4. The trick to making it work is, naturally, in your settings. If you adjust things properly, you will find that 5.5 functions pretty much as you expect, and offers several important new features, including real-time audio effects, stereo tracks, and the ability to search the entire project for clipnames or descriptions (or anything else, for that matter). If you pay an extra fee, you can search for audio dialog, as well (PhraseFind).
Here’s what you need to do.
1) Timeline Settings
Be sure to select “Clicking the TC Track or Ruler Disables Smart Tools.” That brings back traditional behavior — click the timecode track and segment mode turns off. Over time you may find that you prefer this to be turned off, but if you want familiarity, leave it on. Selecting “Only One Segment Tool Can Be Enabled at a Time” also makes MC5.5 work like Version 4 — when you choose Red or Yellow Segment mode, the other turns off. And finally, your default segment tool should be “Overwrite.” I could go on at length about this, but if you want fewer surprises, use Overwrite. Note that all these settings are not this way by default — that’s a big part of why long-time Media Composer users get so frustrated with v5 and 5.5.
2) Smart Tool
Start by turning off the Linked Selection button. For long-time users, this single feature is probably responsible for more frustration than anything else. Turn all the Smart Tools off. In Version 5.5, they’ll stay off. Turn on the keyframe tool — when you move your cursor over a keyframe you’ll be able to adjust it.
3) Keyboard
Be sure to put both segment mode buttons on your keyboard. When you need to move a clip, just hit the mode you want. I also like to put the waveform toggle on the keyboard (“Wa” in the illustration).
4) Trim Mode
Nothing special to be done here. But important changes in Version 5.5 bring back the responsiveness and precision that you were used to in Version 4 when selecting rollers. And it fixes the bug that took you out of Trim Mode if you accidentally clicked too far away from a roller.
5) Composer Settings
Be sure to de-select “Auto-enable Source Tracks.” This brings back the MC4 feature that remembered source track selection. Again, it is selected, rather than deselected, by default (see this post).
6) Keyboard Shortcuts
Yes, some of the keyboard modifiers and shortcuts have changed. It’ll undoubtedly be frustrating initially, but it’s not the end of the world. These are the ones you’ll need most often.
- To drag a segment vertically while allowing no movement side-to-side, use Command-Shift-Drag.
- To enter Slip and Slide from Trim Mode, get into Trim Mode any way you like, then double-click an existing roller to slip, double-click again to slide.
- To lasso transitions and clips anywhere in the timeline, hold down the Option key (rather than the command key) and drag.
7) Other Shortcuts
- To set the start timecode for a sequence, simply make a change in the Start column for that clip in a bin. Or right-click on the sequence in a bin and select “Sequence Report…” (You can also use this option to create a list of all effects in the sequence.)
- To measure a group of clips or sequences, select them, then right-click on one of them and choose “Get Bin Info.” The Console window will open, with a total length listed.
8) What’s Next?
Once you’ve got all these things set up, MC should feel pretty familiar to you. After that, you’ll want to explore some of the new features. Start with the Track Control Panel, where you can add real-time audio effects. Keep in mind that you can’t change an effect internally — it stays constant throughout your sequence — but it can still be very useful for many things, such as adding a ring-out in music. You can also turn waveforms on or off on a track-by-track basis. In addition, MC5 lets you create and use stereo tracks and clips, so you can treat a stereo pair as a single object in the timeline. You’ll also want to check out the new Find features (Command-F). They let you to search throughout your project. And you’ll need an introduction to Advanced Keyframes, which are now used for most effects. They’re much more powerful, but they take some getting used to. You can find all of that and more in my book, Avid Agility.
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