Archive for the ‘Avid’ category

Fixing Segment Mode

March 8, 2008

Avid added segment mode to the Media Composer long before Final Cut was conceived, and even then, it was apparent then that editing in the timeline was an essential feature in any non-linear editing application. Working from the DS playbook, Final Cut made segment mode its primary editing mode and arguably made the application more intuitive to newbies who grew up with the desktop publishing metaphor — rearranging moving video by dragging little rectangles around on the screen.

I’ve never been a believer in the primacy of that metaphor. I think that the best editorial decisions are made by manipulating the video itself. That’s where the Media Composer excels, and for me, anything else is a shortcut that makes it harder to produce fluid editorial decisions. But there are still plenty of situations where dragging things in the timeline is the best way to quickly arrange a bunch of clips, and in this, Final Cut seems to have the edge.

The question for Avid is how to enhance its segment mode to better compete with FCP’s — without destroying the MC’s slickness and precision.

For me, it comes down to a handful of relatively simple fixes:

1. Don’t make clicking in a time track turn off segment mode. Unlike in the MC, in Xpress Pro stays on until you explicitly turn it off. When I first tried it, I thought this was a disadvantage. So I ended up mapping the red and yellow segment mode buttons to the keyboard. And boy did I like having them there. Now I find that having segment mode switch off every time I drag the cursor pretty frustrating. Allowing segment mode to stay on as long as you want it to would be the best and most flexible compromise with FCP’s “on all the time” approach.

2. Add a feature that lets me select “everything to the right.” This is a big win for FCP because it makes it easy to open up space in the middle of a complex, overlapped timeline. It would be trivially simple to add to the MC — it doesn’t even need its own button. You’d just select a clip while holding down a modifier key, and everything to the right would be highlighted. Do the same thing to each track and then drag to the right to open up space, as needed. I’d kill to have this seemingly small change.

3. In red segment mode, make it possible to select two non-adjacent clips in the same track and move them together without selecting all the clips in between.

4. Make it possible to select and move two audio clips (ie. a stereo pair) up or down one track at a time.

5. Offer a simple way to clone a clip and place it in another track. Great for trying musical alternates, or copying sound effects.

There are a few other minor issues, but for the most part, that’s it. Avid has just about everything else — cut and paste works fine, the four-headed display when dragging a segment is better than FCP’s. Dragging while snapping to the beginning — or the ending — of nearby clips works better, too.

But maybe I’m missing something. So I’ll put this to those of you who are proficient in both programs: What else is missing from Avid’s segment mode?

Technorati Tags: , , , ,

New Tutorials

February 28, 2008

Harry Miller, who runs the tech blog for the American Cinema Editors, has posted some very useful, detailed and slickly-produced video tutorials on the Media Composer. Check them out here. Two are up so far, one covers Audio Suite plugins, and the other, the audio mixer.

Technorati Tags: , , ,

Using the Stabilize Effect

February 17, 2008

Late model Media Composers include Avid’s tracking engine, a potentially powerful addition to your visual effects arsenal. The tracker is included in several effects, the simplest of which is stabilize. If you’ve got a shot that’s too rocky to include in a scene, the stabilize effect might just make it usable again. It’s realtime and it’s easy to set up — once you understand how to do it.

Rather than explain the use of this tool with images and text, I’ve posted a little 3-minute video that will introduce you to it. If you can’t see the screen clearly enough in the small version here, check it out on Vimeo.

I’m thinking about doing more of these. Let me know how this works for you and whether it’s useful.

In more advanced applications, the tracker can be used inside the 3D Warp effect to connect one shot, typically a matte, to the motion of another. Avid has a very nice video tutorial that will show you how to do this. It’s in the free part of their Alex education site, near the bottom of this page.

Technorati Tags: , , ,

Adrenaline Continues to Improve

February 12, 2008

On my new show, I’ve got 3 Ghz, eight-core Mac Pros running Media Composer 2.7.7 over Unity — and I have to say that Avid continues to kill bugs and make the system more usable. These machines are the fastest and most responsive Adrenalines I’ve ever used. Blip-audio scrubbing in source/record mode is much faster than in ABVB or Meridien and frankly, it’s almost too fast. And playing and stopping are much more responsive than they used to be. Waveforms draw quickly, and when I’m first-cutting, I leave them on all the time.

The system can still crash, but it’s quite rare (once in seven days, so far), and restarting is quick. Of course, I don’t have much media yet, it’s just standard def 14:1, and our project is still pretty small. A lot of problems tend to reveal themselves with longer timelines and more media.

A couple of bugs stand out, only because they seem so obvious. First, there’s still a barely perceptible one-frame jump when you press stop (only in Adrenaline systems — you don’t see it with software only). Also, when you open a bin, all clip frames in all open bins refresh. This was not true in ABVB or Meridien and if you’ve got a lot of bins open in frame view, it can feel maddening slow. Also, and equally irritating, when frame view clips get moved from one bin to another, the system wipes out any arrangement you have and aligns them to a grid.

But despite these issues, the big headline is how responsive and stable the system is. Avid has made a lot of progress in the last year or so and they deserve to be congratulated.

Technorati Tags: , , ,

Priesthood Still Needed

February 5, 2008

On Friday, we received our first dailies on a show I’m starting, and my assistant began digitizing them. And he rapidly discovered that whatever he did, they came in with a noticeable stutter, reminiscent of what you see if the “A” frame is identified incorrectly in film material.

In this case, we were seeing something subtly different — but the video was certainly stuttering, making it impossible to cut without getting a quick headache. My assistant spent most of the day working with the tech guys from our rental house, trying to suss it out. Sometime after 10 pm the answer finally appeared. It wasn’t the Mac, or the deck (or anything in the semi-incomprehensible deck menus). It wasn’t the Media Composer software (with its many settings) or the Adrenaline boxes, or Unity. It wasn’t the genlock or the cables. It was the little Keyspan USB to Serial adaptor. This allows the MC (or FCP, for that matter) to control a deck. The serial adaptors were brand new. The model our guys are familiar with is the 28X, but that’s now been replaced with the 28XG. There’s a new driver for the XG, but that didn’t solve the problem. The only thing that worked was going back to 28X.

The point here is that much as we wish the technology to be so simple that we can roll our own Avid or FCP systems with no help from dedicated tech support, the reality is that in high-end production, we just ain’t there yet. The “heavy iron” of the first phase of the digital video revolution has gotten considerably lighter. But bullet-proof it isn’t.

Sure, if you’re working at home, with all-digital media, and a software-only system, things might be simpler. But if you’ve got shared storage, tape-based ingest, and a workflow that involves multiple Avids, and you’re sharing work with sound, music and visual effects, things are still a wee bit too complicated to go without a guru near at hand. And even the tech guys often end up scratching their heads.

Technorati Tags: , , ,

Leopard Envy

January 3, 2008

I played with two machines running Leopard over the holiday (machines owned by distinctly non-technical friends, by the way) and I have to admit that I want it bad. But I can’t have it, and you probably know why — because I’ve got Media Composer installed. Yes, I could run two machines, or I could partition a drive, but I don’t want to do that. I want and expect to use my laptop for editing and I want to do it transparently and without a restart.

Meanwhile, Final Cut Pro has been Leopard-compatible since mid-November. That’s not so long ago, of course, and I’m sure that Avid isn’t given first dibs on info about Leopard and for that reason it will always be at a disadvantage with respect to OS X compatibility. So I’m willing to wait a while. But I sure hope Avid is working hard on this issue. So far, all I’ve heard is “Mac OSX Leopard and Microsoft Vista support is planned for a future release.” I sure hope that means “very soon.”

Technorati Tags: , , ,