Archive for the ‘Media and Society’ category

Short and Verrone Clash

November 15, 2007

With the IA striking theaters in New York and the WGA striking the studios, IA president Tom Short wrote to WGAw president Patric Verrone Tuesday, saying, “I have warned you and predicted the devastation that would come from your action. Those predictions have now come true. … It’s time to put egos aside and recognize how crucial it is to get everyone back to work before there is irreversible damage from which this industry can never recover.” (NY Times. Variety.)

Verrone responded, saying, “for every four cents writers receive in theaterical residuals, directors receive four cents, actors receive 12 cents and the members of your union receive 20 cents in contributions to their health fund. … To put it simply, our fight should be your fight.”

Meanwhile, Variety reported on a pair of polls showing wide public support for the writers: a Pepperdine poll showed support at 69% vs 4% for the producers and a SurveyUSA poll came up with 63% vs 8%.

Technorati Tags:

AMPAS and Intellectual Property

November 9, 2007

Warren Olney’s “Which Way, LA?” offered some interesting coverage of the WGA strike Wednesday (listen here). In particular, it included some enlightening remarks from show runner Shawn Ryan (“The Shield” and “The Unit”). Shawn is leading the push by show runners to support the strike, and he’s on the WGA negotiating committee.

The big bugaboo, of course, is residuals for shows that are distributed via the internet. The WGA made a lousy deal for VHS and DVD distribution in the ’80s and never was able to change it. They don’t want to make that same mistake again with the net, where more and more of us are going to be watching TV in the future. (Variety went over some of the deal points in yesterday’s edition, here.)

The whole thing strikes me as mighty strange. Remember that these are the same studios that are obsessed with protecting their intellectual property and preventing piracy — also on the internet. It seems awfully inconsistent that they’re now falling on a sword to keep writers from benefiting in the same way.

Technorati Tags:

The Next Debate Will Not Be Broadcast

September 3, 2007

Turns out that there will be another Democratic debate — next weekend, Sept 9, in Miami. How do I know? It was buried in an article in Sunday’s NY Times — on page 18! A big 2-page “Election Calendar” (which wasn’t published online) didn’t even mention it. It took me ten minutes of Internet research to get the particulars.

It’s being broadcast — by Univision — but apparently won’t be aired in LA. Yea, I guess nobody’s interested in a debate from Miami. What a backwater! It sure has nothing to do with presidential politics.

We have a US post office today because our nation’s founders thought that an informed public was an essential prerequisite for democracy. Today, we’re supposed to get our candidate information from late night television, network pundits and 30-second spots.

Isn’t it self-evident that these debates should be aired live nationwide and should be on the Internet as soon as they’re over?

Technorati Tags:

Two Bucks an Episode?

September 2, 2007

On Thursday, NBC indicated that it would not renew its contract to sell television episodes on the iTunes store. Though nobody is absolutely certain of the reasons, money is certainly one of them. Then, on Friday, Apple retaliated by dumping NBC shows ahead of the contract expiration date, but NBC disputed this.

The whole thing strikes me funny. Apple charges $1.99 per episode, and apparently, that isn’t enough for NBC. But if you look at what the networks make when you watch a show over the air, that sure looks like big money to me. If you divide the total commercial revenues for a typical prime time show by the number of people watching, you get a figure more like 50 cents per viewer. So when you buy a show for $1.99, you’re really being gouged. True, watching the network broadcast isn’t exactly the same as buying a digital file that you can look at over and over again, but you could easily Tivo or tape the broadcast, and thus own it, and, in any event, who wants to permanently own an episode of a TV show? How many times are you really going to watch it?

I’d love to buy my TV and watch it ad-free. But give it to me for a reasonable price — the same price the network is getting when advertisers pay for access to my eyeballs.

Technorati Tags:

Preloaded Production

August 28, 2007

The LA Times ran a big article this Sunday about how the studios, in a re-enactment of what happened in 2001, are ramping up production now, so they’ll have as many pictures as possible in the can when the SAG contract expires next summer. (The WGA contract ends in October but will be extended to line up with SAG’s.)

Why? Well, the article never answers that question. Instead, it seems to imply that it’s so self evident that studios would want to get as much material shot as possible before a strike, that the most basic question of all need not be asked.

Maybe it’s obvious, but to me the huge elephant in the room does bear mentioning, namely that producers are trying to get stuff in the can because it gives them an advantage in contract talks. If I’ve got a slate of pictures shot, you can strike for as long as you want dear actors and writers — it won’t affect me at all. So preloading production is essentially a negotiating tactic, a way to work the system for your advantage, and get what you want at the negotiating table. It’s not illegal, and it’s certainly not surprising, but it bears mentioning in an article that brags about how it’s based on “two dozen” interviews with producers and agents — and apparently with zero labor leaders.

Technorati Tags:

Creating a News Narrative from the Debate

August 21, 2007

Judging from a promo for “Hard Ball” that I caught while grabbing a cup of coffee yesterday, the pundits are doing their best to amplify the irrelevant pseudo-disagreements that Mr. Stephanopolous tried so hard to create in yesterday’s debate and turn it into “must-see TV.” A huge “controversy” was what the Matthews show was hyping — something that bore almost no resemblance to the debate itself, let alone to any kind of substance.

And of course, since nobody actually saw the debate, nobody can say whether the little snippets that will be pounded on are representative. This gives the punditry and the networks much greater power to create a narrative — a narrative that has very little to do with reality.

When two kids in my junior high schoolyard would argue or play the dozens, a crowd would often form and try to get them to fight. They’d call out “you take that from him?!” and egg the parties on. Somehow it feels very old and pre-verbal — the tribe needs to establish the alpha-dog. So I suppose there’s nothing new about Stephanopoulis’ approach, as long as you assume that we haven’t evolved much in the last 10,000 years or so.